Illustration by S. Zainab Williams
There’s something strange about the Silver family house in the closed-off town of Dover, England. Grand and cavernous with hidden passages and buried secrets, it’s been home to four generations of Silver women—Anna, Jennifer, Lily, and now Miranda, who has lived in the house with her twin brother, Eliot, ever since their father converted it to a bed-and-breakfast. The Silver women have always had a strong connection, a pull over one another that reaches across time and space, and when Lily, Miranda’s mother, passes away suddenly while on a trip abroad, Miranda begins suffering strange ailments. An eating disorder starves her. She begins hearing voices. When she brings a friend home, Dover’s hostility toward outsiders physically manifests within the four walls of the Silver house, and the lives of everyone inside are irrevocably changed. At once an unforgettable mystery and a meditation on race, nationality, and family legacies, White is for Witching is a boldly original, terrifying, and elegant novel by a prodigious talent.
I didn’t expect this book to give me a fright, but a fright it gave. Oyeyemi possesses a skill for that quiet, creeping terror I find missing from my recent straightforward horror reads. If you’re hesitant to read genre fiction, favoring literary fiction, I’d recommend this book in a heartbeat, especially if you’re looking for October/Halloween reads. As mentioned in the book blurb, the subject matter is complex and grave, but its handled in the realm of the supernatural. I’m becoming a big fan of focused real-world subject matter through the speculative lens, thanks to this and other books I’ve read recently.
On a side note, I haven’t been posting much #readtodraw art, but decided to start again, only with books I find visually compelling. This was one of them.